W pogoni za zrozumieniem: polskie tłumaczenia ekranizacji Dziennika Bridget Jones

Elżbieta Plewa

doi:10.34768/fp2018a12

Authors

Elżbieta Plewa University of Warsaw
https://orcid.org/0000-0003-2925-1359 Elżbieta Plewa

DOI: https://doi.org/10.34768/fp2018a12

Keywords

diary • audiovisual translation • film translation • voiceover • film translator

Abstract

This paper analyses Polish translations of two romantic comedy films Bridget Jones’ Diary and Bridget Jones’ Baby. The main goal of a translated text is to convey the meaning of an original. However, it is impossible for any two persons to deliver identical translations. It is always an individual, unique text of the particular author – a film translator and it reflects his or her idiolect. The form of the translated text depends on translator’s skills as they determine particular solutions for problematic fragments (not selfevident) of the original. The choices of translators define their level of mastery. The paper analyses two translations of two different persons and attempts to assess their craft.

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Author Biography

Elżbieta Plewa, University of Warsaw

Assistant professor, long-time lecturer at the Institute of Specialized and Intercultural Communication at the Faculty of Applied Linguistics at the University of Warsaw. Germanist and Russianist. Specializes in audiovisual translation, especially film translation, to which she devoted her dissertation Audiovisual Translation Systems and many articles. Further research interests: specialized languages, anthropology, history of civilization, foreign language teaching.

References

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Źródła internetowe

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